Sunday, November 27, 2016

Foreign (Non-American) Films and Television

Back in the first half of the 1980's, I spent a total of four years of my time in the U.S. Army assigned to the Republic of Korea. During that time, I had a number of opportunities to see Korean films and television shows. To say that I was not impressed would be an understatement. Production values didn't seem to be very good, compared to what I was used to watching, i.e. American films and programming produced in Hollywood, and nearly everything that I watched reminded me of my own country's daytime soap operas.

Fast Forward to the 1990's and 2000's. I had married a Korean woman in 1981 -- 35 years later, we are still married -- so when we eventually discovered a Philadelphia channel in our cable lineup that showed Korean programming, she became quite excited. She asked me to watch a Korean historical drama with her, and since it was subtitled in English I agreed. It's English title was Age of Warriors. It was set in a time in Korean history when warriors rose up in rebellion against the king in an attempt to establish military rule, and I have to say that its production values were vastly improved over anything produced in Korea that I had watched in the '80's. It actually held my interest throughout its entire run.


Another Korean historical television drama produced at roughly the same time was Dae Jo-yeong, the story of the man who rose from slavery and eventually founded the Kingdom of Balhae. Like Age of Warriors, Dae Jo-yeong's production values were vastly improved over what Korea produced in the '80's. Sadly, I didn't get to finish this series because we moved out of the Philadelphia area before it finished its run and I have so far not been able to find it again.


Fast Forward again to the current decade. As Hollywood continues to produce and offer remake after remake after remake, I have become more interested in seeing what the rest of the world has to offer, and in addition to checking out a few of my own country's new films and television series I have recently began actively seeking out "alternate" programming from other countries. As you might expect, because I was already somewhat familiar with what Korea has to offer these days, I started there.

Signal is a Korean television series that tells the story of a police detective from the present day and another detective from the past who discover that they can communicate through time with one another and work together to solve as yet unsolved cold cases. That premise likely sounds familiar to anyone who has seen the 2000 film Frequency or the new television series of the same name. Perhaps the producers of this Korean drama were inspired by the film, I don't know. What I do know is that this series is important because science fiction has never been "a thing" in Korea -- even Star Trek is only now beginning to find an audience in that country -- and the writers seem to be doing it right. I have not yet finished the series because I stream it through Viki.com and as of this writing they have not yet finished adding subtitles to all of the episodes, but I have seen enough episodes to come to that conclusion.


So, while I'm still "in Korea," so to speak, what about their movies? Good question. I recently streamed two recent Korean films on Netflix.

The Admiral: Roaring Currents tells the story of a very famous Korean officer, Admiral Yi, who led a force of 12 battleships against an invading Japanese naval force of 330 ships...and won! The production values were, once again, excellent, and the CGI was stunning. I don't think I have ever seen such quality in a Korean production before.


North Limit Line tells the story of the 2002 incident that came to be known as the second battle of Yeonpyeong. The NLL is a disputed demarcation line in the Yellow Sea off the west coast of the two Koreas that serves as the border between the two countries. In 2002, small vessels from the north and the south battled one another near that line after those from the north crossed into the south and opened fire. Like the productions I wrote about above, this film had excellent production values, and the combat sequences were extremely well done.


Okay. Enough about Korea. What about other countries? Glad you asked.

I recently finished streaming, on Netflix, a 6-episode first season of a Netflix original Australian program entitled Glitch. In this series, a police officer in a small town is sent to the local cemetery one night and discovers that six people have risen from the dead in perfect health. Halfway through episode #4 I thought that I had the whole thing figured out, but as episode #6 came to a close I discovered that I was wrong. The story held my attention as well as most of the American programs that I watch and I am looking forward to watching season 2.


Finally, there is 3%, a Brazilian Portuguese science fiction production -- another Netflix original production. 3% is a story about a world divided into progress and devastation. The link between the two sides, Offshore and Inland, is a rigorous and painstaking ordeal known as the Process. Everyone who lives in the devastated Inland gets an opportunity to go through the Process and earn the right to live a better life in Offshore, but only 3% of candidates ever succeed.

I am only three episodes into this series' 8-episode first season, but as the small team of candidates that the series follows grows ever smaller as it goes through the Process, it, too, is holding my interest. I look forward to seeing what their next test entails.


So what is the point of all of this? Simple. I enjoy film and television... good film and television... almost as much as I enjoy writing. If you're like me and are growing tired of a lot of what Hollywood is giving to us, know that there are not just alternatives, but that there are good alternatives. Whatever your individual tastes, there are films and television programs being produced all over the world, and many of them are quality productions that truly deserve to be seen by the widest possible audience. Yes, they are in a large part produced to appeal to a "different" audience -- those with life experiences and sensibilities that differ from our own, but if you allow for that, I believe that you will find plenty of product out there to enjoy.

Tuesday, November 22, 2016

This Blog's Reach

Sometimes it's difficult to think of something to blog about, which is why I don't post something every day. I was just looking at my stats, and so far this blog has reached multiple readers in the United States, Germany, France, the United Kingdom, Ireland, Brazil, Canada, Spain, Italy, Japan, Russia, and Turkey.

The world is shrinking. Isn't the Internet a wonderful thing?

Tuesday, November 15, 2016

Shorter (TV) Seasons, Longer Hiatus

Remember when a new television series premiered in September and its first season, consisting of 24 episodes, give or take, ran until June, and then it went on hiatus for three months before returning with another season of 20+ episodes? For example, the original Star Trek series showed 79 episodes in just three seasons.What is happening to television these days?

Some years ago networks started exercising an option to order just 13 episodes, or "half a season," rather than a "full season" for shows in which they felt hesitant to put a lot of faith. Then, if the show met with their hopes and expectations, they would order another block of episodes to complete the season. Okay, I can understand their point of view. The networks are a commercial business and commercial business is all about money and profits, after all. But a newer trend has crept into our most common form of entertainment, and I for one find it annoying...and potentially bad for the content producers and networks alike.

Back in 2004, what I consider to be the best dramatic science fiction program ever to grace the airwaves...or the wire...premiered on the Syfy channel...or SciFi...whatever it was at the time.


Battlestar Galactica (the reboot) began with a short miniseries in 2003, and when it did well the network ordered a first season. That first season consisted of only 13 episodes. Season 2 ended up being 20 episodes, but fans had to wait six months after season 1 for it to show, and they split the season into two 10-episode halves with a three and a half month long wait in the middle. Season 3 also consisted of 20 episodes and wasn't broken in half, unless you count a relatively short winter holiday break, but fans had to wait seven months for it after season 2. Eight months after season 3 we got the movie "razor," and it wasn't until four and a half months after that that season 4 finally premiered. Season 4 also consisted of 20 episodes, but once again they split the season into two halves with a seven month hiatus in the middle.

Then, of course, there comes another very popular show...


Each season of HBO's Game of Thrones is only 10 episodes long, with an approximately 10 month hiatus between seasons. Beginning in 2011, each season premiered in April -- actually, season 3 premiered on March 31, 2013 -- and ran through June. We got 10 weeks' worth of new episodes and then had to wait 10 months for the next batch! Granted, this show's episodes are worth the wait...but it's 10 months!

Not to be outdone...


USA Network's Colony premiered on January 14, 2016. We got a 10-episode first season that ended on March 17. Season 2 is coming sometime in 2017. As of this writing, no specific date has been announced as far as I can find. So, at a minimum, that's a 10-month wait. Will anyone who watched this show even remember the first season after ten months?

Finally, there is this...


HBO's Westworld premiered on October 2, 2016. Like Game of Thrones, to which the producers have compared it, Westworld's first season is going to be 10 episodes long with the final episode airing this December 4th. The show is doing well -- I am thoroughly enjoying it -- and HBO has just announced that there will be a 10-episode second season, but according to what I just read at the "Independent" website ( http://www.independent.co.uk/arts-entertainment/tv/news/westworld-season-2-release-date-hbo-sky-atlantic-2017-2018-new-episode-count-renewed-a7418051.html )...

"As for a release date, HBO is aiming for late 2017 but it might well be early 2018 due to the scale of shooting."

That's an entire year away...at least!

When I started writing this post, I stated that this trend of shows going on extended hiatus is potentially bad for the content producers and networks alike. Why do I say this? Well, another show that did this was SyFy's Helix.


Helix premiered on January 10, 2014 and its 13-episode first season ran until March 28, 2014. I, for, one, am not really into shows about pandemics, but this one was okay. However, season 2 didn't hit the air until January 16, 2015...nearly ten months later. By that time I had forgotten most of what happened and lost interest in the show. I didn't watch season 2, and apparently not too many other people did, either. The show was cancelled after that season.

I suspect that if this trend continues, more and more shows, even the better ones, are going to drop in the ratings after their premier seasons and be cancelled, unless they prove to be massive successes, like Battlestar Galactica and Game of Thrones. Granted, a 24-episode season of any show more intelligent than a sitcom would cost a massive fortune in this day and age, but I hope that producers and networks will soon begin to reverse that trend and return at least partway to the way it used to be.

Wednesday, November 9, 2016

The 2016 U.S. Presidential Election

For the record, I am an Independent.

The campaign season. It was a long and painful one for both sides, filled with name-calling, accusations -- some false, some not -- lies, manipulations, etcetera, etcetera, etcetera. In other words, it was a typical campaign season. How sad it is that that is the norm to which we have been forced to grow accustomed.

As I sat on my couch last night watching the returns come in, I expected what I suspect most of us did -- that it would be a tight race in many states, but that Hillary would ultimately win. As the night went on, I grew more and more surprised. Many Americans are fed up with Washington. That much was already known. What wasn't known was just how loud a statement those Americans would make. In the end, Donald Trump pulled an upset, though I doubt that he would consider it to be an upset...at least publicly. How he looks at the results in his own private thoughts is, of course, known only to him. So, very late last night, actually very early this morning, the race was called for Mr. Trump and my wife and I hurried off to bed.

Then, this morning, I got up and logged onto Facebook.

Hate. Vitriol. Name-calling. As I stated in a post there, I have not seen that much hate and vitriol on Facebook in one day for a very long time. Hillary supporters...some Hillary supporters...threw names such as Racist, Bigot, Stupid, Ignorant, Intellectually depraved, and several others at Trump supporters. Others, painting with a very broad brush, accused Trump supporters of not caring at all about the rights of non-whites, non-Christians, and members of the LBGT community. One man who happens to be gay posted that if any of his friends supported Trump then they are through as friends.

I understand the disappointment. I have felt it myself after previous elections. No one wants to see their candidate lose. But hasn't this country been divided long enough? At the very least, now that the process is over...thank God...let's give the man a chance. Let's stop the name-calling and all the other negativity. Let's pull together, work together, move forward and make things better. With the support and help of the American people, maybe our new president and his team actually will make things better. We owe it to them to give them a chance. If they fail then we can replace them in four years.

Yes, I said move forward. For example:

In one of the debates, Trump stated that if he were to win the election he would appoint a special prosecutor to look into Hillary's activities. As a man with 20 years' law enforcement experience and several years' experience working with classified information, I would like to see Hillary charged and prosecuted for her willful mishandling of classified information, and then punished IF found guilty in a court of law. I would also like to see her have to answer for a number of other things IF investigations showed that to be warranted.

All of that being said, this country is tired. If President Trump were to change his mind and let her off in favor of moving forward, I would, eventually, be all right with that.

Monday, November 7, 2016

Senior Officers, U.S.S. Endeavour, NCC-1716

Hello, dear readers. Welcome back. Yesterday I introduced you to the commanding officer of the Federation Starship U.S.S. Endeavour. Today I introduce you to the rest of the senior officers...at least to the point that each of them have been developed so far, which in a few cases isn't much at all yet.

FIRST OFFICER: Commander Sun Hee Kim: Human Female, Korean.
Deceptively petite, Sun Hee Kim nonetheless commands the respect of her subordinates and superiors alike. She makes it her business to know everything there is to know about both the ship on which she serves and the crew who serve under her. She is a master of the Korean martial art of Tae Kwon Do and ranks high in several other arts.
Sun Hee Kim graduated first in her class from Starfleet Academy at the age of 21 eight years ago, after completing the four year program in only three years. She was commissioned with the rank of Lieutenant J.G. at that time and served her first two years as an Academy instructor.
At the end of those two years, she was promoted to lieutenant and assigned to the U.S.S. Exeter under the command of Captain Tracey, where she served for three years as a helmsman.
Her next assignment brought with it another promotion. As a lieutenant commander, she served as senior helmsman aboard the U.S.S. Hood for three years before her recent promotion to full Commander and her transfer to the Endeavour.


SCIENCE OFFICER: Lieutenant Commander Jeremy Daystrom: Human Male, Black.
Being the son of the acclaimed scientist Doctor Richard Daystrom, Jeremy Daystrom is naturally very well educated in the sciences. While not a leading authority in any one particular field the way his father was, he has a good working grasp of virtually all fields relevant to science duties aboard a starship. When he doesn’t know the answer to something, he knows where to find it.

CHIEF MEDICAL OFFICER: Lieutenant Commander Varan: Vulcan Male of the "Asian" race. Doctor Varan is a brilliant medical doctor, but as a middle-aged devotee to the teachings of Surak who has already completed the Kolinahr, he possesses nothing that resembles what humans would refer to as a good bedside manner. The only reason he chose to practice medicine in Starfleet rather than on Vulcan was because he felt that he already knew everything there was to know about treating his own people and had nothing more to learn. He decided that joining Starfleet in order to expand his knowledge in treating aliens was the most logical next step in his personal development as a sentient being.



HEAD NURSE: Lieutenant Isala: Deltan Female, incredibly beautiful by human standards.
Isala couldn’t be more of an opposite to Dr Varan. Where he is cold and distant, she is compassionate and empathic. Where he is a virtual walking encyclopedia of medicine, she often has to check reference materials when treating patients for anything out of the ordinary.

CHIEF ENGINEER: Lieutenant Commander Karla Baumann: Human Female, Caucasian.
Karla Baumann was instrumental while serving as part of the team that designed and developed the upgrades to the original Constitution-class heavy cruiser that have been integrated into the newer Bonhomme-Richard-class, of which Endeavour is a member. She served as lead for the Endeavour project personally, making her the obvious choice to serve as chief engineer.



CHIEF HELMSMAN: Lieutenant Shran: Andorian Female.

CHIEF NAVIGATOR: Lieutenant Marco Carlucci: Human Male, Caucasion.

CHIEF COMMUNICATIONS OFFICER: Lieutenant:

CHIEF OF SECURITY: Lieutenant Commander Kenneth Dawkins: Human Male, Black.

Sunday, November 6, 2016

Commanding Officer, U.S.S. Endeavour, NCC-1716

So, I didn't have anything specific to post about, but it's been a few days since I last posted, so I decided to follow up on my October 30th post about the Starship Endeavour by introducing you all to some of her officers, beginning today with her commanding officer.

What you're about to read below is the background I created for him when I was working on my novelette, The 11th Hour.



Captain Christopher MacLeod: Human male, Caucasian, brown hair, brown eyes, mustache/goatee.
Chris MacLeod is a few years older than James T. Kirk, but attended Starfleet Academy at the same time, and in fact had several classes with him during their first two years as cadets. He didn’t particularly like Kirk at first—although he didn’t like the way upperclassman Cadet Finnegan treated him, either—so despite having had those classes together, the two of them never really became friends. “Friendly acquaintances” would be a better description of their relationship at that time. Later, when MacLeod and Kirk selected different career paths—MacLeod chose to pursue a career as a security officer—that acquaintance grew more distant.

Years later, when then Commander James T. Kirk took over as commanding officer of the scout ship Aeolus and brought Lieutenant (J.G.) Gary Mitchell in to serve as his chief helmsman, Lieutenant MacLeod saw it as an opportunity. He’d served with distinction in security and had even served with the MACOs for a period of time, but he’d wanted to transfer out of security altogether for some years by then and enter the command path. Unfortunately, Starfleet Command had denied his repeated requests, claiming that he was too valuable in his capacity as an experienced, seasoned security officer to be allowed to leave that specialty. Upon hearing of Kirk’s promotion, he contacted his old classmate and inquired after a position. A few weeks later he received orders promoting him to lieutenant commander and transferring him to the Aeolus as a helm and navigation transfer trainee.

MacLeod took to helm and navigation quickly, and during the time he served under Kirk he grew to admire the man and came to realize that those traits in his former classmate that he hadn’t liked were exactly the traits that had enabled him to rise to command so quickly. As required, they maintained a professional commander-subordinate relationship, but a friendship did develop in spite of that, and when the first officer was killed in the line of duty, Kirk selected MacLeod to replace him. Later, when Kirk was promoted to captain of the Enterprise and took Mitchell with him, MacLeod was promoted to commander and appointed the new captain of the Aeolus.

MacLeod has served as commanding officer of the Aeolus ever since, but has now been promoted to the rank of captain and selected to command Starfleet’s newest starship, the U.S.S. Endeavour.

Thursday, November 3, 2016

Not Enough Hours in the Day

Where do we ever find the time to adult? How do we get it all done?

Over the past two and a half years I have written and released four original novels -- one, of course, was a re-release of my first novel from 2007, but I'm counting it anyway -- and five novellas/novelettes based on the fan-film series Star Trek Phase-II. In addition, I have begun writing three additional novels, all of which I am several chapters into, and outlined three more Phase-II stories. Add in the previous four or five years and I have also written literally dozens of comic book scripts, and even a few screenplays. I'm also a husband, a father -- my son is grown and on his own, so I suppose the father thing doesn't really count much anymore -- usually have a full-time job, and went to school for two and a half of those earlier years to earn my degree. Oh yeah, and I get to sleep every now and then, too.

How do we do it? Anyone?